Some recent stories need clarifications and caveats
My Gazette story Jan. 31 on the Aerodrome brought lots of interest and input from readers: folks LOVED the place.
However, concentrating on the musical legacy of the place, I neglected to mention several key contributors to the venue and its activities on the business and bookings side. Fred Baye as assistant manager booked the bands that played there, leveraging his knowledge of music and the music business to hire both big and emerging acts. Fred worked with manager Bob Murphy, who founded the Ale House in Troy after the Aerodrome closed. At that time, Fred moved on to work with Gov. Mario Cuomo and evangelist Billy Graham while also fostering an alliance between rock and Gospel.
Many artists and fans also chimed in about bands they saw at the Aerodrome, often naming giant stars of the time. It’s happening everywhere: To Michael Eck’s Facebook post of a YouTube video showing Tim Buckley singing “Buzzin’ Fly,” William Rella posted, “Saw him at Aerodrome in Schenectady. Close to the last date ever there.”
But my musician brother Jim Hoke wrote me about “the mentioned-but-not-described band with the name ‘Aerodrome’ whose name appears often as opening act for more famous bands.” He wrote, “These guys were fucking great, and could play and sing rings around most of the bands they opened for.
“When we first played there, they were the Characters…I remember many a night at that place, watching the Characters open shows, playing impeccable covers of the hits of the day. They had a sax player with an electronic rig that would simulate, say, the strings on ‘I Am The Walrus.’ They were a couple years older, and many years better than my band (West Side Highway). Later, after the featured band was done, these guys would play the late last set for die-hard drunks and hangers-on. There’d be four people in the place, so that meant it was safe for them to play jazz and other deep weird shit and they were amazing musicians; we were awed. The story you told (and that a fan told to me) about one of the bubble-gum bands getting pissed off at the crowd and “playing Miles Davis” was likely a mis-remembrance of the Characters. Those galoots in The Ohio Express and their ilk couldn’t have played Miles Davis – they weren’t nearly that good.
“As the Characters became the default house band, part of the deal was the name change, to re-enforce the brand, I suppose…I never heard about them again, except that the sax player, Jack, went on to do a one-man-band act called The Mechanical Man.”
My story on www.nippertown.com announcing the discovery and posting of live Blotto sets brought these clarifying comments from Helena Binder, formerly Blanche Blotto.
“Thanks for this, Michael!” – she wrote. “I must correct a few things for the record,” she went on, “Keyboards on ‘I Wanna Be a Lifeguard’ and all the tunes on the ‘My Father’s Place’ recording were played by me, not Chevy Blotto. He joined after I left. And ‘I Love You Calvin Klein’ was written by me alone.” Blanche then wrote, “Great to have the publicity on the release of these recordings.”